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The Arts Desk Reviews Patagón!
Graham Rickson reviews our Cindy Cox: Patagón recording in The Arts Desk: “Cindy Cox’s Columba aspexit is based around a chart by Hildegard von Bingen. … What Cox does with her material is fascinating; the use of canons giving the piece a very distinctive character, both archaic and fiercely contemporary. … The quartet writing is…
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Stephen Malinowski Animates Patagón!
Cindy Cox: Patagón Amazon iTunes Apple Music ArkivMusic Spotify See more of Stephen Malinowski’s Animated Scores featuring ASQ recordings:
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Follow Along With The Patagón Score!
Cindy Cox has graciously made her Patagón score available online! Take a look and follow along as you listen! Amazon iTunes Apple Music ArkivMusic Spotify
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More Praise for Patagón
MusicWeb International‘s Paul Corfield Godfrey adds to the growing praise for the Alexander String Quartet’s Cindy Cox: Patagón recording: “The opening Elegy for the difficult and sometimes intractable medium of solo violin does no violence to the nature of the instrument, and indeed begins with a sense of rapture which charms the ear before leading…
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The Whole Note Reviews Patagón
“Cox’s music here is quite fascinating, quite varied and not easy to describe. The composer Robert Carl, writing in Fanfare Magazine, said that “Cox writes music that demonstrates an extremely refined and imaginative sense of instrumental colour and texture … this is well wrought, imaginative, and not easily classifiable music.” It’s exactly that. … Inspired…
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Fanfare Magazine Reviews Patagón
Fanfare Magazine’s Colin Clarke has a new review for our latest recording Patagón featuring the music of Cindy Cox: “Elegy for solo violin is a five-minute, slowly-unfolding, eloquent tribute. Zakarias Grafilo plays it beautifully, particularly the stratospherically-high final section: the music seems to ascend into silence like a spirit finding the higher realms. … Out…
